Coming off the Season 3 Premiere of Lost last night, mind you, one of the shows I still watch now that I've taken to all this blogging--though I TiVo'd it and watched it around 1am--I can't help but find myself wondering if the show has jumped the dharma-branded shark (you gotta watch the show to understand that reference).
Not jumped the shark in that the show has gone too many seasons...but that it's lost its way. Certainly, it's too early to tell since it was the first episode of the new season. But, not for nothin', it wasn't even an Emmy contender this year after taking the house by storm last year (for it's first season, no less).
Why the cause for this Lostie's concern? Well, that leads me to 2 marketing principles. Neither are ground-breaking or new, but obviously bear repeating:
Character driven: The beauty of TV is that characters are accessible to us, they (literally) come into our homes once a week, develop and define themselves over time. Unlike a box-office smash with BIG-screen stars that we're in awe of (Tom Cruise and Mel Gibson currently not withstanding).
That's why the Apple ads have done well, because they're using living, breathing characters not lifeless, good-lookin' machines. Not to beat a dead Vampire Show, but the reason that Buffy did so well is because of several layered characters (the show was never about saving the world). And the beauty of Lost is (was?) that it connects you to the characters by featuring a "prequel" with every episode...via the brilliant character back-stories. Your characters, not your special effects, are what hook us.
- Marketing principle #1: Stay steadfast to one concept; one true, unique differentiator. In Lost's case you need to focus on characters again (not plot).
Keep it simple (or simpler): I understand that there are Sci-Fi and spiritual forces at play on the island. I dig those. To a point. Now you're just becoming too high-maintenance for this marketer. We've now got so many hatches (above and below sea level), the "lucky" numbers, the damn Polar Bears, branded sharks and washed-up Pirate ships. And (oy!) the friggin' "others". I don't want to become attached to the "others". It was just perfect enough having the characters from the tail-end of the craft enter the scene last year. That made sense. All were stranded. All were connected somehow. All had endured the same fall-out-of-the-sky experience.
Now we have gated island communities...who hold book clubs? Not cute, too complicated. Too much of the wrong drama. When all I want are complex characters--and a true ensemble cast. I've been having to tell some clients lately that their offerings and business models are far too complicated. If I'm grappling with how to communicate them, how are the prospects going to feel?
That's right, overwhelmed. One could say...lost.
- Marketing principle #2: Keep it simple. Simple does not mean without depth. Don't be a mile wide and a 1/2" deep.
If the show's writers are listening: I want the "Season 1" Locke back. As for Sawyer, I'll take him from any season :-). And if you kill off either of these characters...you'll surely lose this Lostie.